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源平慎弌傍利 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

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酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��


masters�察�some of whom were hunched and perpetually smiling�察�others dreamy 
and drunk and still others intent upon foisting off a spinster daughter�察�and as 
we  recollected�察 �we  attempted  to  resurrect  the  forgotten  details  of  the 
workshop as it had been during our apprentice and early mastership years。 
Do you remember the limner who stuck his tongue into his cheek when he 
ruled pages!to the left side if the line he drew headed right�察�and to the right 
side  if  the  line  went  left�察 �the  small�察 �thin  artist  who  laughed  to  himself�察�
chortling  and  mumbling  ^patience�察 �patience�察 �patience ̄  when  he  dribbled 
paint�察�the septuagenarian master gilder who spent hour upon hour talking to 
the  binder¨s  apprentices  downstairs  and  claimed  that  red  ink  applied  to  the 
forehead  stopped  aging�察 �the  ornery  master  who  relied  on  an  unsuspecting 
apprentice   or   even   randomly   stopped   anyone   passing   by   to   test   the 
consistency of paint upon their fingernails after his own nails were pletely 
filled�察�and the portly artist who made us laugh as he caressed his beard with 
the  furry  rabbit¨s  foot  used  to  collect  the  excess  flecks  of  gold  dust  used  in 
gilding�拭�Where were they all�拭�
Where were the burnishing boards which were used so much they became a 
part of the apprentices¨ bodies and then just tossed aside�察�and the long paper 
416 
 
scissors that the apprentices dulled by playing ^swordsman ̄�拭�Where were the 
writing boards inscribed with the names of the great masters so they wouldn¨t 
get mixed up�察�the aroma of China ink and the faint rattle of coffeepots aboil in 
the silence�拭�Where were the various brushes we made of hairs from the necks 
and inner ears of kittens born to our tabby cats each summer�察�and the great 
sheaves of Indian paper given to us so�察�in idle moments�察�we could practice our 
artistry the way calligraphers did�拭�Where was the ugly steel´handled penknife 
ission  from  the  Head  Illuminator�察 �thus  providing  a 
deterrent to the entire workshop when we had to scrape away large mistakes�察�
and what happened to the rituals that surrounded these mistakes�拭�
We  also  agreed  that  it  was  wrong  for  the  Sultan  to  allow  the  master 
miniaturists  to  work  at  home。  We  recalled  the  marvelous  warm  halva  that 
came  to  us  from  the  palace  kitchen  on  early  winter  evenings  after  we¨d 
worked with aching eyes by the light of oil lamps and candles。 Laughing and 
with  tears  in  our  eyes�察 �we  remembered  how  the  elderly  and  senile  master 
gilder�察�who was stricken with chronic trembling and could take up neither pen 
nor paper�察�on his monthly workshop visits brought fried dough´balls in heavy 
syrup  that  his  daughter  had  made  for  us  apprentices。  We  talked  about  the 
exquisite pages rendered by the dearly departed Black Memi�察�Head Illuminator 
before Master Osman�察�discovered in his room�察�which remained empty for days 
after  his  funeral�察 �within  the  portfolio  found  beneath  the  light  mattress  he¨d 
spread out and use for catnaps in the afternoons。 
We talked about and named the pages we took pride in and would want to 
take out and look at now and again if we had copies of them�察�the way Master 
Black Memi had。 They explained how the sky on the upper half of the palace 
picture made for the Book of Skills�察�illuminated with gold wash�察�foreshadowed 
the end of the world�察�not due to the gold itself�察�but due to its tone between 
towers�察 �domes  and  cypresses!the  way  gold  ought  to  be  used  in  a  polite 
rendition。 
They  described  a  portrayal  of  Our  Exalted  Prophet¨s  bewilderment  and 
ticklishness�察 �as  angels  seized  him  by  his  underarms  during  his  ascension  to 
Heaven  from  the  top  of  a  minaret�察 �a  picture  of  such  grave  colors  that  even 
children�察 �upon  seeing  the  blessed  scene�察 �would  first  tremble  with  pious  awe 
and then laugh respectfully as if they themselves were being tickled。 I explained 
how along one edge of a page I¨d memorated the previous Grand Vizier¨s 
suppression  of  rebels  who¨d  taken  to  the  mountains  by  delicately  and 
respectfully arranging the heads he¨d severed�察�tastefully drawing each one�察�not 
as  an  ordinary  corpse¨s  head�察 �but  as  an  individual  and  unique  face  in  the 
417 
 
manner of a Frankish portraitist�察�furrowing their brows before death�察�dabbing 
red onto their necks�察�making their sorroeaning of 
life�察 �opening  their  nostrils  to  one  final�察 �desperate  breath�察 �and  shutting  their 
eyes to this world�察�and thus�察�I¨d imbued the painting with a terrifying aura of 
mystery。 
As  if  they  were  our  own  unforgettable  and  unattainable  memories�察 �we 
wistfully  discussed  our  favorite  scenes  of  love  and  war�察 �recalling  their  most 
magnificent  wonders  and  tear´inducing  subtleties。  Isolated  and  mysterious 
gardens where lovers met on starry nights passed before our eyes�此�spring trees�察�
fantastic  birds�察 �frozen  time´We  imagined  bloody  battles  as  immediate  and 
alarming  as  our  own  nightmares�察 �bodies  torn  in  two�察 �chargers  with  blood´
spattered  armor�察 �beautiful  men  stabbing  each  other  with  daggers�察 �the  small´
mouthed�察 �small´handed�察 �slanted´eye�察 �bowed  women  watching  events  from 
barely  open  windows´We  recalled  pretty  boys  who  were  haughty  and 
conceited�察�and handsome shahs and khans�察�their power and palaces long lost 
to  history。  Just  like  the  women  who  wept  together  in  the  harems  of  those 
shahs�察 �we  now  knew  we  were  passing  from  life  into  memory�察 �but  were  we 
passing  from  history  into  legend  as  they  had�拭 �To  avoid  being  drawn  further 
into  a  realm  of  horror  by  the  lengthening  shadows  of  the  fear  of  being 
forgotten!even more terrifying than the fear of dying!we asked each other 
about our favorite scenes of death。 
The  first  thing  to  e  to  mind  was  the  way  Satan  duped  Dehhak  into 
killing  his  father。  At  the  time  of  that  legend�察 �which  is  described  in  the 
beginning  of  the  Book  of  Kings�察 �the  world  had  been  newly  created�察 �and 
everything was so basic that nothing needed explanation。 If you wanted milk�察�
you  simply  milked  a  goat  and  drank�察 �you¨d  say  ^horse�察院 �then  mount  it  and 
ride  away�察 �you¨d  contemplate  ^evil ̄  and  Satan  would  appear  and  convince 
you of the beauty of murdering your own father。 Dehhak¨s murder of Merdas�察�
his father of Arab descent�察�was beautiful�察�both because it was unprovoked and 
because it occurred at night in a magnificent palace garden while golden stars 
gently illuminated cypresses and colorful spring flowers。 
Next�察 �we  recalled  legendary  R┨stem�察 �who  unknowingly  killed  his  son 
Suhrab�察 �mander  of  the  enemy  army  that  R┨stem  had  battled  for  three 
days。  There  was  something  that  touched  us  all  in  the  way  R┨stem  beat  his 
breast  in  tearful  anguish  when  he  saw  the  armband  he  had  given  the  boy¨s 
mother years ago and recognized as his own son the enemy whose chest he¨d 
ravished with thrusts of the sword。 
What was that something�拭�
418 
 
The rain continued its patter on the roof of the dervish lodge and I paced 
back and forth。 Suddenly I said the following�此�
^Either our father�察�Master Osman�察�will betray and kill us�察�or we shall betray 
and kill him。 ̄ 
We were stricken with horror because what I said rang absolutely true�察�we 
fell  silent。  Still  pacing�察 �and  panicked  by  the  thought  that  everything  would 
revert  to  its  former  state�察 �I  told  myself  the  following�此  �Tell  the  story  of 
Afrasiyab¨s  murder  of  Siyavush  to  change  the  subject。  But  that¨s  a  betrayal 
such as fails to frighten me。 Recount the death of H┨srev。 ̄ All right then�察�but 
should it be the version told by Firdusi in the Book of Kings or the one told by 
Nizami in H┨srev and Shirin�拭�The pathos of the account in the  Book of Kings 
rests in H┨srev¨s tearful realization of the identity of the murderer intruding in 
his  bedroom  chamber�  �As  a  last  resort�察 �saying  that  he  wants  to  perform  his 
prayers�察�H┨srev sends the servant boy attending him to fetch water�察�soap�察�clean 
clothes  and  his  prayer  rug�察 �the  naive  boy�察 �without  understanding  that  his 
master has sent him for help�察�goes to gather the requested items。 Once alone 
with H┨srev�察�the murderer¨s first task is to lock the door from the inside。 In 
this  scene  at  the  end  of  the  Book  of  Kings�察 �the  man  whom  the  conspirators 
found  to  enact  the  murder  is  described  by  Firdusi  with  disgust�此 �He  is  foul 
smelling�察�hairy and pot´bellied。 
I paced to and fro�察�my head swarmed with words�察�but as in a dream�察�my 
voice would not take。 
Just  then  I  sensed  that  the  others  were  whispering  among  themselves�察�
maligning me。 
They y legs that the four of us collapsed to the 
floor。  There  was  a  struggle  and  fight  on  the  ground�察 �but  it  was  brief。  I  lay 
faceup on the floor beneath the three of them。 
One of them sat on my knees。 Another on my right arm。 
Black  pressed  a  knee  into  each  of  my  shoulders�察 �he  firmly  situated  his 
weight  between  my  stomach  and  chest�察 �and  sat  on  me。  I  was  pletely 
immobilized。  All  of  us  were  stunned  and  breathing  hard。  This  is  what  I 
remembered�此�
My late uncle had a rogue son two years older than me!I hope he¨s been 
caught in the act of raiding caravans and has long since been beheaded。 This 
jealous beast�察�realizing I knew more than he and was also more intelligent and 
refined�察 �would  find  any  excuse  to  pick  a  fight�察 �or  else  he¨d  insist  that  we 
e�察�he¨d hold me down with his knees on 
419 
 
my  shoulders  in  this  same  way�察 �he¨d  stare  into  my  eyes�察 �the  way  Black  was 
now doing�察�and let a string of saliva hang down�察�slowly directing it toward my 
eyes as it gained mass�察�and he¨d be greatly entertained as I tried to avoid it by 
turning my head to the right and to the left。 
Black told me not to hide anything。 Where was the last picture�拭�Confess� �
I felt suffocating regret and anger for two reasons�此�First�察�I¨d said everything I 
had  for  naught�察 �unaware  that  they¨d  e  to  an  agreement  beforehand�察�
secondly�察 �I  hadn¨t  fled�察 �unable  to  imagine  that  their  envy  would  reach  this 
level。 
Black threatened to cut my throat if I didn¨t produce the last picture。 
How very ridiculous。 I firmly closed my lips�察�as if the truth would escape if I 
opened my mouth。 Part of me also thought that there was nothing left for me 
to do。 If they came to an agreement among themselves and turned me over to 
the Head Treasurer as the murderer�察�they¨d end up saving their own hides。 My 
only hope lay with Master Osman�察�who might point out another suspect or 
another  clue�察 �but  then�察 �could  I  be  certain  what  Black  said  about  him  was 
correct�拭 �He  could  kill  me  here  and  now�察 �and  later  place  the  onus  on  me�察�
couldn¨t he�拭�
They rested the dagger against my throat�察�and I saw at once how this gave 
Black a pleasure that he could not conceal。 They slapped me。 Was the dagger 
cutting my skin�拭�They slapped me again。 
I was able to work through the following logic�此�If I held my peace�察�nothing 
would happen� �This gave me strength。 They could no longer hide the fact that 
since the days of our apprenticeships they¨d been jealous of me�察�I�察�who quite 
evidently applied paint in the best manner�察�drew the steadiest line and made 
the best illuminations。 I loved them for their extreme envy。 I smiled upon my 
beloved brethren。 
One of them�察�I don¨t want you to know which of them was responsible for 
this disgrace�察�passionately kissed me as if he were kissing the beloved he¨d long 
desired。 The others watched by the light of the oil lamp that they brought near 
to us。 I could not but respond in kind to this kiss from my beloved brother。 If 
we¨re  nearing  the  end  of  everything�察 �let  it  be  known  that  I  do  the  best 
illuminating。 Find my pages and see for yourselves。 
He  began  to  beat  me  angrily�察 �as  if  I¨d  enraged  him  by  answering  his  kiss 
with  a  kiss。  But  the  others  restrained  him。  They  experienced  a  moment  of 
indecision。 Black was upset that there was a scuffle among them。 It was as if 
they weren¨t angry with me�察�but with the direction in which their lives were 
420 
 
headed�察�and as a result�察�they wanted to  take  their  revenge  against  the  entire 
world。 
Black removed an object from his sash�此�a needle with a sharpened point。 In 
an instant�察�he brought it to my face and made a gesture as if to plunge it into 
my eyes。 
^Eighty  years  ago�察 �the  great  Bihzad�察 �master  of  masters�察 �understood  that 
everything was ing to an end with the fall of Herat�察�and honorably blinded 
himself so nobody would force him to paint in another way�察院�he said。 ^A short 
while  after  he  deliberately  inserted  this  plume  needle  into  his  own  eye  and 
removed  it�察 �God¨s  exquisite  darkness  slowly  descended  over  His  beloved 
servant�察 �this  artist  with  the  miraculous  hand。  This  needle  which  came  from 
Herat to Tabriz with the now drunk and blind Bihzad�察�was sent as a present by 
Shah Tahmasp to Our Sultan¨s father�察�along with that legendary Book of Kings。 
At first�察�Master Osman was unable to determine why this object was sent。 But 
today�察�he was able to see the ill will and just logic behind this cruel present。 
After  Master  Osman  understood  that  Our  Sultan  wanted  to  have  His  own 
portrait made in the style of the European masters and that you all�察�whom he 
loved more than his own children�察�had betrayed him�察�he stuck this needle into 
each  of  his  eyes  last  night  in  the  Treasury!in  imitation  of  Bihzad。  Now�察 �if  I 
were  to  blind  you�察 �the  accursed  man  responsible  for  bringing  to  ruin  the 
workshop Master Osman established at the expense of his entire life�察�what of 
it�拭院�
^Whether or not you blind me�察�in the end�察�we¨ll no longer be able to find a 
place for ourselves here�察院�I said。 ^If Master Osman truly goes blind�察�or passes 
away�察 �and  we  paint  the  way  we  feel  like  painting�察 �embracing  our  faults  and 
individuality under the influence of the Franks so we might possess a style�察�we 
might resemble ourselves�察�but we won¨t be ourselves。 No�察�even if we were to 
agree to paint like the old masters�察�reasoning that only in this way could we be 
ourselves�察�Our Sultan�察�who¨s turned His back even on Master Osman�察�will find 
others to replace us。 No one will look at us anymore�察�we shall only incur pity。 
The raiding of the coffeehouse merely rubs salt into our wounds�察�because half 
the  blame  for  this  incident  will  fall  to  us  miniaturists�察 �who¨ve  slandered  the 
respected preacher。 ̄ 
Although  I  tried  at  length  to  persuade  them  that  it  would  work  quite 
against us to quarrel�察�it was to no avail。 They had no intention of listening to 
me。  They  were  panicked。  If  they  could  only  decide  quickly�察 �before  morning�察�
right or wrong�察�which of their lot was guilty�察�they we
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��1�� 家��2��
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��